SANTITA — Netflix Release

SANTITA-NETFLIX 2026

Santita stands as one of Netflix Latin America’s key releases for 2026. On this project, I collaborated as both camera and color pipeline designer and supervisor, leading the implementation of a unified workflow from set through post-production.

The project was shot across two main camera units using ARRI Alexa 35 systems paired with Canon FD lenses, establishing the core visual language of the film. Additional cameras were introduced for specific sequences requiring different physical and technical characteristics — including the RED Komodo for underwater work — which required careful integration into the overall pipeline to maintain visual consistency.

This project marked an important milestone in my career, being one of my first experiences overseeing the full camera pipeline. From a technical standpoint, it was a highly successful process: the transition from set to post was seamless and efficient, driven by a workflow designed to preserve creative intent across every stage.

The entire team — from editorial to online, color, and mastering — was able to move fluidly through the project. A key component of this was a LUT-based workflow where each shot was linked to its corresponding look. By associating LUTs with reel names, the online editor was able to automatically relink and apply the intended look within the timeline, allowing for accurate reconstruction of the image as it was seen on set.

It was also essential to have the support of Marc Bellver, AMC, who knows my work and trusted me to lead this process. Marc is one of the strongest DPs working in this space, and collaborating with him has been a meaningful step in my transition from DIT to cinematographer. His approach to lighting and visual storytelling has been a constant source of learning and influence.

This approach ensured consistency, efficiency, and creative continuity throughout the entire post-production process.